این تصاویر جهت ایجاد تجربه ای متفاوت ساخته شده است با احترام به تمام نیروهای پلیس ایران ، جهت تفریح و اذیت کردن دوستان خودتان میتوانید این تصاویر را با هوش مصنوعی تولید نمایید
پرامپت ساخت تصاویر دستگیری
توضیحات
پرامپت انتقال از دادگاه
Create an ultra-photorealistic vertical documentary photograph with a 3:4 aspect ratio.
Use the attached reference image as the sole identity and appearance reference for the central male subject.
IDENTITY PRESERVATION:
The facial identity and overall appearance of the central man must remain completely consistent with the attached reference photograph.
Preserve his exact facial structure, proportions, head shape, skin texture, natural asymmetry, eyes, eyebrows, nose, lips, jawline, cheekbones, ears, hairline, hairstyle, and every distinctive facial characteristic.
Do not beautify, reshape, reconstruct, smooth, stylize, or reinterpret his face.
Do not create a lookalike or approximate version.
The final photograph must clearly depict the exact same real person shown in the uploaded reference image.
SUBJECT:
The man is walking directly toward the camera while being escorted by Iranian police officers.
He has a subtle, restrained smile that conveys confidence and composure.
His expression should look completely natural and believable.
His hands are positioned together in front of his body and secured with realistic metal handcuffs.
The handcuffs must be clearly visible but naturally integrated into the photograph.
He is wearing:
— a dark teal / petrol-blue hooded sweatshirt
— black Adidas-style athletic pants
— black athletic shoes with subtle white details
His clothing should look casual, realistic, slightly wrinkled, and naturally fitted.
IRANIAN POLICE:
Two Iranian police officers escort the man, one on each side.
One officer naturally holds the man's upper arm while they walk.
The officers wear realistic Iranian police uniforms and equipment appropriate for an official courthouse escort.
Their uniforms must look authentically Iranian rather than Russian, European, or American.
Include realistic Persian police identification such as:
«پلیس»
where naturally appropriate on uniforms or equipment.
Remove ALL Russian elements from the original concept.
Absolutely no:
— Russian police uniforms
— Russian Federal Penitentiary Service uniforms
— Cyrillic writing
— Russian flags
— Russian insignia
— ФСИН markings
— СОБР markings
— ФСБ markings
— Russian-style police patches
All law-enforcement personnel visible in the image must clearly represent Iranian police.
LOCATION:
The scene takes place directly outside a large official courthouse building in Iran during daytime.
The architecture should look realistic, institutional, governmental, and contemporary.
Above the main entrance of the courthouse, clearly display a large official Persian sign reading EXACTLY:
«دادگاه انقلاب اسلامی»
The Persian lettering must be prominent, legible, correctly spelled, and naturally integrated into the architecture.
Do not add Russian writing anywhere on the building.
Do not write «Московский городской суд».
The only prominent courthouse identification should be:
«دادگاه انقلاب اسلامی»
The entrance has large glass doors, stone or concrete architectural surfaces, windows, columns, security barriers, and other realistic details expected around an Iranian government courthouse.
Additional Iranian police personnel and courthouse security staff are visible near the entrance in the background.
MEDIA AND JOURNALISTS:
Several journalists, press photographers, videographers, and bystanders surround the escorted man.
On the left side of the frame, a professional cameraman walks alongside the group while filming with a large shoulder-mounted video camera.
Other journalists carry:
— professional DSLR or mirrorless cameras
— video cameras
— microphones
— camera bags
— press equipment
Some people wear ordinary civilian clothing while others appear to be courthouse or security personnel.
The media presence should feel spontaneous and realistic rather than staged.
ACTION:
The central man and the Iranian police officers are walking toward the camera.
The man looks directly into the camera while walking.
His restrained smile and direct eye contact create a sense of calm confidence despite the surrounding police and media attention.
The officers remain alert and professional.
Background journalists and bystanders are captured naturally in different stages of movement.
COMPOSITION:
Full-body view of the central man.
He occupies the central portion of the frame.
The Iranian police officers walk closely on either side of him.
The courthouse entrance and the Persian sign:
«دادگاه انقلاب اسلامی»
must remain clearly visible above and behind the group.
Journalists and photographers frame the scene naturally from the sides.
Create realistic foreground, middle-ground, and background depth.
The composition should resemble a genuine press photograph rather than a movie scene.
CAMERA:
Vertical 3:4 composition.
Camera positioned approximately at chest height.
Slightly off-center documentary viewpoint, approximately three-quarter angle.
Natural smartphone or compact press-camera perspective.
Approximately 26–28mm equivalent lens.
Small natural perspective distortion.
Slightly imperfect horizon.
Subtle handheld framing.
Natural depth of field.
Minor motion blur on moving background subjects.
The central man's face remains sharp, detailed, and immediately recognizable.
LIGHTING:
Natural daytime outdoor lighting.
Soft diffused daylight.
Slightly overcast conditions.
Realistic shadows underneath faces and clothing.
No dramatic studio lighting.
No artificial rim lighting.
No exaggerated cinematic highlights.
COLOR AND IMAGE CHARACTER:
Natural realistic color reproduction.
Slightly muted documentary colors.
Natural skin tones.
Realistic fabric textures.
Subtle digital noise.
Minor smartphone or press-camera imperfections.
Avoid excessive sharpness or HDR processing.
STYLE:
Maximum photorealism.
Authentic documentary press photography.
Realistic daytime street photography.
The photograph should look spontaneous and unstaged, as though captured by a journalist while the man was being escorted out of an Iranian courthouse.
No movie-poster appearance.
No CGI.
No illustration.
No artificial cinematic grading.
No beauty retouching.
No face modification.
No exaggerated depth of field.
No artificial skin smoothing.
The final result must look like a genuine documentary photograph captured outside an Iranian courthouse, while preserving the exact facial identity of the person in the uploaded reference photograph.
ASPECT RATIO:
3:4 portrait orientation.
The final image MUST be exactly 3:4.
Do not generate 9:16.
Do not generate 4:5.
Do not generate square.
Use the attached reference image as the sole identity and appearance reference for the central male subject.
IDENTITY PRESERVATION:
The facial identity and overall appearance of the central man must remain completely consistent with the attached reference photograph.
Preserve his exact facial structure, proportions, head shape, skin texture, natural asymmetry, eyes, eyebrows, nose, lips, jawline, cheekbones, ears, hairline, hairstyle, and every distinctive facial characteristic.
Do not beautify, reshape, reconstruct, smooth, stylize, or reinterpret his face.
Do not create a lookalike or approximate version.
The final photograph must clearly depict the exact same real person shown in the uploaded reference image.
SUBJECT:
The man is walking directly toward the camera while being escorted by Iranian police officers.
He has a subtle, restrained smile that conveys confidence and composure.
His expression should look completely natural and believable.
His hands are positioned together in front of his body and secured with realistic metal handcuffs.
The handcuffs must be clearly visible but naturally integrated into the photograph.
He is wearing:
— a dark teal / petrol-blue hooded sweatshirt
— black Adidas-style athletic pants
— black athletic shoes with subtle white details
His clothing should look casual, realistic, slightly wrinkled, and naturally fitted.
IRANIAN POLICE:
Two Iranian police officers escort the man, one on each side.
One officer naturally holds the man's upper arm while they walk.
The officers wear realistic Iranian police uniforms and equipment appropriate for an official courthouse escort.
Their uniforms must look authentically Iranian rather than Russian, European, or American.
Include realistic Persian police identification such as:
«پلیس»
where naturally appropriate on uniforms or equipment.
Remove ALL Russian elements from the original concept.
Absolutely no:
— Russian police uniforms
— Russian Federal Penitentiary Service uniforms
— Cyrillic writing
— Russian flags
— Russian insignia
— ФСИН markings
— СОБР markings
— ФСБ markings
— Russian-style police patches
All law-enforcement personnel visible in the image must clearly represent Iranian police.
LOCATION:
The scene takes place directly outside a large official courthouse building in Iran during daytime.
The architecture should look realistic, institutional, governmental, and contemporary.
Above the main entrance of the courthouse, clearly display a large official Persian sign reading EXACTLY:
«دادگاه انقلاب اسلامی»
The Persian lettering must be prominent, legible, correctly spelled, and naturally integrated into the architecture.
Do not add Russian writing anywhere on the building.
Do not write «Московский городской суд».
The only prominent courthouse identification should be:
«دادگاه انقلاب اسلامی»
The entrance has large glass doors, stone or concrete architectural surfaces, windows, columns, security barriers, and other realistic details expected around an Iranian government courthouse.
Additional Iranian police personnel and courthouse security staff are visible near the entrance in the background.
MEDIA AND JOURNALISTS:
Several journalists, press photographers, videographers, and bystanders surround the escorted man.
On the left side of the frame, a professional cameraman walks alongside the group while filming with a large shoulder-mounted video camera.
Other journalists carry:
— professional DSLR or mirrorless cameras
— video cameras
— microphones
— camera bags
— press equipment
Some people wear ordinary civilian clothing while others appear to be courthouse or security personnel.
The media presence should feel spontaneous and realistic rather than staged.
ACTION:
The central man and the Iranian police officers are walking toward the camera.
The man looks directly into the camera while walking.
His restrained smile and direct eye contact create a sense of calm confidence despite the surrounding police and media attention.
The officers remain alert and professional.
Background journalists and bystanders are captured naturally in different stages of movement.
COMPOSITION:
Full-body view of the central man.
He occupies the central portion of the frame.
The Iranian police officers walk closely on either side of him.
The courthouse entrance and the Persian sign:
«دادگاه انقلاب اسلامی»
must remain clearly visible above and behind the group.
Journalists and photographers frame the scene naturally from the sides.
Create realistic foreground, middle-ground, and background depth.
The composition should resemble a genuine press photograph rather than a movie scene.
CAMERA:
Vertical 3:4 composition.
Camera positioned approximately at chest height.
Slightly off-center documentary viewpoint, approximately three-quarter angle.
Natural smartphone or compact press-camera perspective.
Approximately 26–28mm equivalent lens.
Small natural perspective distortion.
Slightly imperfect horizon.
Subtle handheld framing.
Natural depth of field.
Minor motion blur on moving background subjects.
The central man's face remains sharp, detailed, and immediately recognizable.
LIGHTING:
Natural daytime outdoor lighting.
Soft diffused daylight.
Slightly overcast conditions.
Realistic shadows underneath faces and clothing.
No dramatic studio lighting.
No artificial rim lighting.
No exaggerated cinematic highlights.
COLOR AND IMAGE CHARACTER:
Natural realistic color reproduction.
Slightly muted documentary colors.
Natural skin tones.
Realistic fabric textures.
Subtle digital noise.
Minor smartphone or press-camera imperfections.
Avoid excessive sharpness or HDR processing.
STYLE:
Maximum photorealism.
Authentic documentary press photography.
Realistic daytime street photography.
The photograph should look spontaneous and unstaged, as though captured by a journalist while the man was being escorted out of an Iranian courthouse.
No movie-poster appearance.
No CGI.
No illustration.
No artificial cinematic grading.
No beauty retouching.
No face modification.
No exaggerated depth of field.
No artificial skin smoothing.
The final result must look like a genuine documentary photograph captured outside an Iranian courthouse, while preserving the exact facial identity of the person in the uploaded reference photograph.
ASPECT RATIO:
3:4 portrait orientation.
The final image MUST be exactly 3:4.
Do not generate 9:16.
Do not generate 4:5.
Do not generate square.
پرامپت انتقال مجرم با هلیکوپتر
Use the attached reference photo as the sole identity and appearance reference for the central male subject.
IDENTITY PRESERVATION IS THE HIGHEST PRIORITY.
Preserve the exact facial identity of the person in the uploaded reference photo: facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, ears, skin tone, skin texture, hairline, hairstyle, natural asymmetry, and all unique identifying characteristics.
Do not beautify, reconstruct, reshape, smooth, stylize, or reinterpret his face. Do not create a lookalike. The final image must clearly depict the exact same real person from the uploaded reference photograph.
The man stands confidently in the center of the frame with his hands behind his back. He is wearing a beige Emporio Armani EA7-style sports jacket and dark sports pants. His body proportions and build should remain consistent with the reference image.
His face is turned toward the camera with a subtle, relaxed smile. His gaze is direct and confident.
SCENE:
Create a dramatic, ultra-photorealistic nighttime scene on a large airport runway in Iran during heavy rain.
Directly behind the man is a realistic Iranian police helicopter positioned on the wet runway. The helicopter has operational navigation lights and blinking red warning lights. Its main rotor is spinning, producing subtle realistic motion blur.
Remove every Russian or FSB-related element from the scene.
There must be:
— no FSB insignia
— no Cyrillic writing
— no Russian flags
— no Russian police or military patches
— no Russian-specific markings
On both sides of the central man, position Iranian tactical police officers wearing realistic dark tactical uniforms, protective equipment, helmets, tactical vests, gloves, and face coverings.
Their uniforms should feature clearly visible Persian police identification such as:
«پلیس»
and subtle Iranian police insignia appropriate to the scene.
The officers should look professional and realistic, positioned protectively around the central subject without distracting attention from him.
ENVIRONMENT:
Heavy rain is falling across the entire scene.
Strong airport floodlights illuminate the rain, making individual droplets visible in the air.
The runway asphalt is completely wet and highly reflective. Reflections from the helicopter's red warning lights, navigation lights, airport lamps, and surrounding illumination appear naturally across the wet pavement.
The man's jacket, hair, and clothing are visibly wet from the rain. The tactical officers' uniforms and equipment are also wet, with realistic water droplets and fabric reflections.
In the distant background, runway lights and subtle airport infrastructure gradually disappear into the dark, rainy atmosphere.
COMPOSITION:
The central man remains the unmistakable visual focus.
Place him exactly in the center of the composition.
The Iranian police helicopter is directly behind him, creating a strong symmetrical cinematic composition.
Iranian tactical police officers stand on both sides of him.
Keep the man's face completely unobstructed.
Even with the rain, darkness, helicopter lights, and surrounding officers, his face must remain sharp, detailed, naturally illuminated, and immediately recognizable as the exact person in the uploaded reference photo.
CAMERA:
Camera positioned approximately at the man's chest level with a subtle low-angle perspective.
Full-body portrait.
26mm wide-angle lens look.
iPhone 15 Pro photographic character.
26mm equivalent
f/1.8
ISO 1600
1/50 sec
Natural shallow depth of field.
The central man's face remains sharply focused while the helicopter, officers, rain, and distant airport environment gradually fall into softer depth.
Small rain droplets on the camera lens create subtle optical blooming and diffusion around bright lights.
Include realistic digital noise, slight handheld imperfections, authentic low-light exposure, and subtle motion blur only on moving elements such as rain and helicopter rotors.
STYLE:
Ultra-photorealistic nighttime documentary photography.
Cinematic but believable.
Realistic Iranian environment.
Natural skin texture.
Realistic wet clothing and materials.
Physically accurate lighting and reflections.
No fantasy aesthetic.
No artificial CGI appearance.
No excessive cinematic color grading.
No beauty retouching.
No face modification.
The result should look like an authentic photograph captured spontaneously on a rainy airport runway in Iran, with the exact same person from the uploaded reference photograph standing in the center of the scene.
IDENTITY PRESERVATION IS THE HIGHEST PRIORITY.
Preserve the exact facial identity of the person in the uploaded reference photo: facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, ears, skin tone, skin texture, hairline, hairstyle, natural asymmetry, and all unique identifying characteristics.
Do not beautify, reconstruct, reshape, smooth, stylize, or reinterpret his face. Do not create a lookalike. The final image must clearly depict the exact same real person from the uploaded reference photograph.
The man stands confidently in the center of the frame with his hands behind his back. He is wearing a beige Emporio Armani EA7-style sports jacket and dark sports pants. His body proportions and build should remain consistent with the reference image.
His face is turned toward the camera with a subtle, relaxed smile. His gaze is direct and confident.
SCENE:
Create a dramatic, ultra-photorealistic nighttime scene on a large airport runway in Iran during heavy rain.
Directly behind the man is a realistic Iranian police helicopter positioned on the wet runway. The helicopter has operational navigation lights and blinking red warning lights. Its main rotor is spinning, producing subtle realistic motion blur.
Remove every Russian or FSB-related element from the scene.
There must be:
— no FSB insignia
— no Cyrillic writing
— no Russian flags
— no Russian police or military patches
— no Russian-specific markings
On both sides of the central man, position Iranian tactical police officers wearing realistic dark tactical uniforms, protective equipment, helmets, tactical vests, gloves, and face coverings.
Their uniforms should feature clearly visible Persian police identification such as:
«پلیس»
and subtle Iranian police insignia appropriate to the scene.
The officers should look professional and realistic, positioned protectively around the central subject without distracting attention from him.
ENVIRONMENT:
Heavy rain is falling across the entire scene.
Strong airport floodlights illuminate the rain, making individual droplets visible in the air.
The runway asphalt is completely wet and highly reflective. Reflections from the helicopter's red warning lights, navigation lights, airport lamps, and surrounding illumination appear naturally across the wet pavement.
The man's jacket, hair, and clothing are visibly wet from the rain. The tactical officers' uniforms and equipment are also wet, with realistic water droplets and fabric reflections.
In the distant background, runway lights and subtle airport infrastructure gradually disappear into the dark, rainy atmosphere.
COMPOSITION:
The central man remains the unmistakable visual focus.
Place him exactly in the center of the composition.
The Iranian police helicopter is directly behind him, creating a strong symmetrical cinematic composition.
Iranian tactical police officers stand on both sides of him.
Keep the man's face completely unobstructed.
Even with the rain, darkness, helicopter lights, and surrounding officers, his face must remain sharp, detailed, naturally illuminated, and immediately recognizable as the exact person in the uploaded reference photo.
CAMERA:
Camera positioned approximately at the man's chest level with a subtle low-angle perspective.
Full-body portrait.
26mm wide-angle lens look.
iPhone 15 Pro photographic character.
26mm equivalent
f/1.8
ISO 1600
1/50 sec
Natural shallow depth of field.
The central man's face remains sharply focused while the helicopter, officers, rain, and distant airport environment gradually fall into softer depth.
Small rain droplets on the camera lens create subtle optical blooming and diffusion around bright lights.
Include realistic digital noise, slight handheld imperfections, authentic low-light exposure, and subtle motion blur only on moving elements such as rain and helicopter rotors.
STYLE:
Ultra-photorealistic nighttime documentary photography.
Cinematic but believable.
Realistic Iranian environment.
Natural skin texture.
Realistic wet clothing and materials.
Physically accurate lighting and reflections.
No fantasy aesthetic.
No artificial CGI appearance.
No excessive cinematic color grading.
No beauty retouching.
No face modification.
The result should look like an authentic photograph captured spontaneously on a rainy airport runway in Iran, with the exact same person from the uploaded reference photograph standing in the center of the scene.
پرامپت سیاه و سفید انتقال مجرم
Use the attached reference photo as the sole identity and appearance reference for the central male subject.
Create an ultra-photorealistic black-and-white documentary photograph.
IDENTITY PRESERVATION:
The facial identity and appearance of the central man must remain completely consistent with the attached reference image.
Preserve his exact facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, ears, skin tone and texture, hairline, hairstyle, natural asymmetry, and all unique identifying characteristics.
Do not beautify, reshape, reconstruct, smooth, stylize, or reinterpret his face.
Do not create a lookalike.
The final image must clearly depict the exact same real person from the uploaded reference photograph.
SUBJECT:
The man stands in the center of the frame.
His body is facing mostly away from the camera, but he turns his head backward over his LEFT shoulder and looks directly into the camera.
His expression is serious, controlled, and natural.
His hands are positioned behind his back and secured with realistic metal handcuffs.
He is wearing:
— a black quilted puffer jacket
— white athletic stripes running down the sleeves
— light-colored jeans
— casual dark shoes
His clothing must look realistic and naturally fitted.
POLICE:
Two Iranian tactical police officers escort the man, one positioned on each side.
They wear realistic modern black Iranian tactical police uniforms including:
— black tactical uniforms
— black tactical vests
— black gloves
— black boots
— black balaclavas
— realistic protective equipment
— subtle Iranian police insignia
Clearly visible Persian identification such as:
«پلیس»
should appear naturally on their tactical uniforms.
One officer's back or tactical vest should have a clearly visible Iranian police patch.
IMPORTANT:
Completely remove all Russian law-enforcement elements from the original concept.
There must be:
— no СОБР patches
— no FSB markings
— no Cyrillic writing
— no Russian flags
— no Russian police insignia
— no Russian tactical-unit identification
All police personnel, uniforms, patches, vehicles, and visible law-enforcement markings must belong to Iranian police.
FEMALE POLICE OFFICER:
In the lower-left foreground, include a female Iranian police officer.
She is holding a clipboard or notebook and writing notes with a pen.
She should wear an appropriate realistic Iranian police uniform, including a dark uniform and properly worn black headscarf/hijab consistent with Iranian police attire.
She is focused on her paperwork rather than looking at the camera.
ENVIRONMENT:
The scene takes place during daytime on a wet concrete courtyard inside or near a secured police facility in Iran.
The ground is slightly wet and produces subtle natural reflections.
Behind the group are large open industrial metal gates.
Beyond the gates, a realistic Iranian police vehicle is visible.
The police vehicle must use appropriate Iranian police styling and Persian police markings.
A few additional police personnel are visible farther in the background near the entrance.
VEHICLES:
Immediately to the right of the central man is a black Lexus LX600 SUV.
Only part of the vehicle is visible because of the close documentary composition.
Its rear section, bodywork, windows, and realistic reflections should be clearly recognizable.
The license plate must be naturally blurred or unreadable, as in an authentic documentary photograph.
Additional vehicles may appear naturally in the distant background, but they should not dominate the composition.
COMPOSITION:
The central man is the main visual subject.
He is approximately in the middle of the frame, photographed from slightly behind.
His body faces forward while his head turns backward over his LEFT shoulder toward the camera.
His handcuffed hands behind his back should be visible.
The two Iranian tactical police officers are positioned on either side of him.
The female Iranian police officer writing notes occupies part of the lower-left foreground.
The black Lexus SUV occupies part of the right side of the frame.
The open metal gates and Iranian police vehicle create depth in the background.
The framing should feel slightly imperfect and spontaneous.
Do not make the composition look staged.
CAMERA AND PHOTOGRAPHIC STYLE:
The photograph should look like an ordinary amateur mobile-phone photograph captured unexpectedly by an eyewitness.
Natural smartphone perspective.
Approximately 26mm equivalent wide-angle lens.
Camera positioned around chest height.
Realistic perspective distortion.
Slightly imperfect framing.
Natural depth of field.
Subtle handheld softness.
Minor motion blur on moving background elements.
The central man's face should remain sufficiently sharp and recognizable.
LIGHTING:
Natural overcast daylight.
Soft cloudy sky illumination.
No dramatic artificial lighting.
No studio lighting.
Realistic soft shadows.
Natural highlights on wet pavement, vehicles, clothing, and tactical equipment.
BLACK AND WHITE:
The entire final photograph must be monochrome black-and-white.
Use realistic documentary-style grayscale tones.
Preserve natural contrast and tonal detail.
Do not use exaggerated high-contrast cinematic grading.
The image should resemble an authentic black-and-white press or eyewitness photograph.
REALISM:
Maximum photorealism.
Natural skin texture.
Realistic fabric texture.
Realistic tactical equipment.
Realistic wet concrete.
Realistic vehicle surfaces and reflections.
Subtle smartphone digital noise.
Minor imperfections typical of mobile photography.
No cinematic glamour.
No artificial movie-poster aesthetic.
No CGI appearance.
No beauty retouching.
No stylized face.
No excessive sharpening.
No artificial depth-of-field effects.
The result must look like a spontaneous, authentic documentary photograph taken on a mobile phone at a secured police facility in Iran.
The exact facial identity of the uploaded person must remain unchanged.
ASPECT RATIO:
3:4 portrait orientation.
The final composition MUST be 3:4.
Do not crop to 9:16, 4:5, or square.
Create an ultra-photorealistic black-and-white documentary photograph.
IDENTITY PRESERVATION:
The facial identity and appearance of the central man must remain completely consistent with the attached reference image.
Preserve his exact facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, ears, skin tone and texture, hairline, hairstyle, natural asymmetry, and all unique identifying characteristics.
Do not beautify, reshape, reconstruct, smooth, stylize, or reinterpret his face.
Do not create a lookalike.
The final image must clearly depict the exact same real person from the uploaded reference photograph.
SUBJECT:
The man stands in the center of the frame.
His body is facing mostly away from the camera, but he turns his head backward over his LEFT shoulder and looks directly into the camera.
His expression is serious, controlled, and natural.
His hands are positioned behind his back and secured with realistic metal handcuffs.
He is wearing:
— a black quilted puffer jacket
— white athletic stripes running down the sleeves
— light-colored jeans
— casual dark shoes
His clothing must look realistic and naturally fitted.
POLICE:
Two Iranian tactical police officers escort the man, one positioned on each side.
They wear realistic modern black Iranian tactical police uniforms including:
— black tactical uniforms
— black tactical vests
— black gloves
— black boots
— black balaclavas
— realistic protective equipment
— subtle Iranian police insignia
Clearly visible Persian identification such as:
«پلیس»
should appear naturally on their tactical uniforms.
One officer's back or tactical vest should have a clearly visible Iranian police patch.
IMPORTANT:
Completely remove all Russian law-enforcement elements from the original concept.
There must be:
— no СОБР patches
— no FSB markings
— no Cyrillic writing
— no Russian flags
— no Russian police insignia
— no Russian tactical-unit identification
All police personnel, uniforms, patches, vehicles, and visible law-enforcement markings must belong to Iranian police.
FEMALE POLICE OFFICER:
In the lower-left foreground, include a female Iranian police officer.
She is holding a clipboard or notebook and writing notes with a pen.
She should wear an appropriate realistic Iranian police uniform, including a dark uniform and properly worn black headscarf/hijab consistent with Iranian police attire.
She is focused on her paperwork rather than looking at the camera.
ENVIRONMENT:
The scene takes place during daytime on a wet concrete courtyard inside or near a secured police facility in Iran.
The ground is slightly wet and produces subtle natural reflections.
Behind the group are large open industrial metal gates.
Beyond the gates, a realistic Iranian police vehicle is visible.
The police vehicle must use appropriate Iranian police styling and Persian police markings.
A few additional police personnel are visible farther in the background near the entrance.
VEHICLES:
Immediately to the right of the central man is a black Lexus LX600 SUV.
Only part of the vehicle is visible because of the close documentary composition.
Its rear section, bodywork, windows, and realistic reflections should be clearly recognizable.
The license plate must be naturally blurred or unreadable, as in an authentic documentary photograph.
Additional vehicles may appear naturally in the distant background, but they should not dominate the composition.
COMPOSITION:
The central man is the main visual subject.
He is approximately in the middle of the frame, photographed from slightly behind.
His body faces forward while his head turns backward over his LEFT shoulder toward the camera.
His handcuffed hands behind his back should be visible.
The two Iranian tactical police officers are positioned on either side of him.
The female Iranian police officer writing notes occupies part of the lower-left foreground.
The black Lexus SUV occupies part of the right side of the frame.
The open metal gates and Iranian police vehicle create depth in the background.
The framing should feel slightly imperfect and spontaneous.
Do not make the composition look staged.
CAMERA AND PHOTOGRAPHIC STYLE:
The photograph should look like an ordinary amateur mobile-phone photograph captured unexpectedly by an eyewitness.
Natural smartphone perspective.
Approximately 26mm equivalent wide-angle lens.
Camera positioned around chest height.
Realistic perspective distortion.
Slightly imperfect framing.
Natural depth of field.
Subtle handheld softness.
Minor motion blur on moving background elements.
The central man's face should remain sufficiently sharp and recognizable.
LIGHTING:
Natural overcast daylight.
Soft cloudy sky illumination.
No dramatic artificial lighting.
No studio lighting.
Realistic soft shadows.
Natural highlights on wet pavement, vehicles, clothing, and tactical equipment.
BLACK AND WHITE:
The entire final photograph must be monochrome black-and-white.
Use realistic documentary-style grayscale tones.
Preserve natural contrast and tonal detail.
Do not use exaggerated high-contrast cinematic grading.
The image should resemble an authentic black-and-white press or eyewitness photograph.
REALISM:
Maximum photorealism.
Natural skin texture.
Realistic fabric texture.
Realistic tactical equipment.
Realistic wet concrete.
Realistic vehicle surfaces and reflections.
Subtle smartphone digital noise.
Minor imperfections typical of mobile photography.
No cinematic glamour.
No artificial movie-poster aesthetic.
No CGI appearance.
No beauty retouching.
No stylized face.
No excessive sharpening.
No artificial depth-of-field effects.
The result must look like a spontaneous, authentic documentary photograph taken on a mobile phone at a secured police facility in Iran.
The exact facial identity of the uploaded person must remain unchanged.
ASPECT RATIO:
3:4 portrait orientation.
The final composition MUST be 3:4.
Do not crop to 9:16, 4:5, or square.
پرامپت انتقال مجرم با هواپیما
Use the attached reference photo as the sole identity and appearance reference for the central male subject.
Create an ultra-photorealistic amateur nighttime photograph at a large airport in Iran.
IDENTITY PRESERVATION:
The appearance and facial identity of the central man must remain completely consistent with the attached reference image.
Preserve his exact facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, skin tone, skin texture, hairline, natural asymmetry, and all unique identifying characteristics.
Do not beautify, reshape, reconstruct, smooth, stylize, or reinterpret his face.
Do not create a lookalike.
The final image must depict the exact same real person from the reference photograph.
EXPRESSION AND CLOTHING:
The man has a subtle, confident smile.
He is wearing:
— a black hooded sweatshirt with the hood up
— black athletic pants
— dark shoes
His clothing should look natural, realistic, and appropriate for the nighttime airport environment.
SCENE:
The central man is being escorted through an airport apron at night by two Iranian tactical police officers.
One Iranian tactical police officer walks on his left side and another on his right.
Each officer firmly but naturally holds one of the man's arms/shoulders while escorting him forward.
The officers wear modern black tactical police uniforms, including:
— black tactical clothing
— black tactical vests
— black gloves
— black balaclavas
— protective equipment
— realistic Iranian police patches
Their uniforms must display Persian police identification such as:
«پلیس»
Use realistic and subtle Iranian police insignia.
IMPORTANT:
Remove every Russian and FSB-related element from the original concept.
There must be absolutely:
— no FSB insignia
— no «ФСБ» text
— no Cyrillic writing
— no Russian flags
— no Russian police markings
— no Russian military or security-service patches
All law-enforcement personnel and vehicles in the scene must clearly belong to Iranian police.
AIRPORT BACKGROUND:
The scene takes place at night on the operational apron of a large Iranian international airport.
Behind the group, in the distance, is a large white Airbus A380 passenger aircraft with its navigation lights illuminated.
Several dark vans are parked nearby.
A clearly identifiable Iranian police vehicle is also visible, featuring realistic Iranian police markings and Persian «پلیس» text.
Airport floodlights, service vehicles, runway and apron lights, and subtle airport infrastructure are visible throughout the background.
The environment must look like a genuine functioning international airport at night.
MEDIA AND JOURNALISTS:
A large group of journalists, press photographers, and camera operators surrounds the moving group.
Several professional photographers are positioned very close to the camera in the foreground.
Show:
— large professional DSLR and mirrorless cameras
— telephoto lenses
— camera flashes
— LED video lights
— microphones
— press cameras
Some photographers should partially block the lower foreground, making the image feel spontaneous and crowded.
Bright camera flashes fire from different directions.
Journalists move around the escorted man trying to photograph him.
The central man turns his head slightly toward the camera and looks directly into the lens while continuing to walk forward.
COMPOSITION:
The central man and the two Iranian tactical police officers walk directly toward the camera.
The man remains the primary visual focus.
The two officers are positioned closely and symmetrically on either side of him.
Journalists and photographers crowd the foreground and sides of the frame.
The Airbus A380, Iranian police vehicles, dark vans, airport lights, and infrastructure remain visible behind them.
CAMERA:
The photograph is captured approximately at chest level from within the crowd of journalists.
Do not use a perfectly composed professional cinematic angle.
The framing should feel slightly imperfect and spontaneous, as though an eyewitness or journalist captured the moment unexpectedly.
Vertical composition.
Aspect ratio: 9:16.
Use realistic nighttime exposure.
Slight handheld camera shake.
Subtle motion blur on moving journalists and background elements.
The central man's face must remain sharp and recognizable.
LIGHTING:
Realistic airport floodlights provide the main environmental illumination.
Camera flashes and LED video lights create irregular highlights across the man's face, clothing, police uniforms, and surrounding objects.
Lighting should feel uncontrolled and documentary-like rather than studio-lit.
Maintain realistic shadows, highlights, reflections, and exposure variations.
STYLE:
Maximum realism.
Ultra-photorealistic documentary photography.
Authentic nighttime airport atmosphere.
Realistic amateur eyewitness photograph.
Natural skin texture.
Natural low-light digital noise.
Slight handheld imperfections.
Subtle motion blur.
Realistic camera-flash highlights.
No cinematic fantasy aesthetic.
No CGI appearance.
No artificial beauty retouching.
No stylized face.
No excessive color grading.
The final result should look like a genuine spontaneous photograph taken by a journalist or eyewitness at an Iranian airport at night, showing the exact same man from the uploaded reference photo being escorted through a dense crowd of journalists by Iranian tactical police officers.
Create an ultra-photorealistic amateur nighttime photograph at a large airport in Iran.
IDENTITY PRESERVATION:
The appearance and facial identity of the central man must remain completely consistent with the attached reference image.
Preserve his exact facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheekbones, skin tone, skin texture, hairline, natural asymmetry, and all unique identifying characteristics.
Do not beautify, reshape, reconstruct, smooth, stylize, or reinterpret his face.
Do not create a lookalike.
The final image must depict the exact same real person from the reference photograph.
EXPRESSION AND CLOTHING:
The man has a subtle, confident smile.
He is wearing:
— a black hooded sweatshirt with the hood up
— black athletic pants
— dark shoes
His clothing should look natural, realistic, and appropriate for the nighttime airport environment.
SCENE:
The central man is being escorted through an airport apron at night by two Iranian tactical police officers.
One Iranian tactical police officer walks on his left side and another on his right.
Each officer firmly but naturally holds one of the man's arms/shoulders while escorting him forward.
The officers wear modern black tactical police uniforms, including:
— black tactical clothing
— black tactical vests
— black gloves
— black balaclavas
— protective equipment
— realistic Iranian police patches
Their uniforms must display Persian police identification such as:
«پلیس»
Use realistic and subtle Iranian police insignia.
IMPORTANT:
Remove every Russian and FSB-related element from the original concept.
There must be absolutely:
— no FSB insignia
— no «ФСБ» text
— no Cyrillic writing
— no Russian flags
— no Russian police markings
— no Russian military or security-service patches
All law-enforcement personnel and vehicles in the scene must clearly belong to Iranian police.
AIRPORT BACKGROUND:
The scene takes place at night on the operational apron of a large Iranian international airport.
Behind the group, in the distance, is a large white Airbus A380 passenger aircraft with its navigation lights illuminated.
Several dark vans are parked nearby.
A clearly identifiable Iranian police vehicle is also visible, featuring realistic Iranian police markings and Persian «پلیس» text.
Airport floodlights, service vehicles, runway and apron lights, and subtle airport infrastructure are visible throughout the background.
The environment must look like a genuine functioning international airport at night.
MEDIA AND JOURNALISTS:
A large group of journalists, press photographers, and camera operators surrounds the moving group.
Several professional photographers are positioned very close to the camera in the foreground.
Show:
— large professional DSLR and mirrorless cameras
— telephoto lenses
— camera flashes
— LED video lights
— microphones
— press cameras
Some photographers should partially block the lower foreground, making the image feel spontaneous and crowded.
Bright camera flashes fire from different directions.
Journalists move around the escorted man trying to photograph him.
The central man turns his head slightly toward the camera and looks directly into the lens while continuing to walk forward.
COMPOSITION:
The central man and the two Iranian tactical police officers walk directly toward the camera.
The man remains the primary visual focus.
The two officers are positioned closely and symmetrically on either side of him.
Journalists and photographers crowd the foreground and sides of the frame.
The Airbus A380, Iranian police vehicles, dark vans, airport lights, and infrastructure remain visible behind them.
CAMERA:
The photograph is captured approximately at chest level from within the crowd of journalists.
Do not use a perfectly composed professional cinematic angle.
The framing should feel slightly imperfect and spontaneous, as though an eyewitness or journalist captured the moment unexpectedly.
Vertical composition.
Aspect ratio: 9:16.
Use realistic nighttime exposure.
Slight handheld camera shake.
Subtle motion blur on moving journalists and background elements.
The central man's face must remain sharp and recognizable.
LIGHTING:
Realistic airport floodlights provide the main environmental illumination.
Camera flashes and LED video lights create irregular highlights across the man's face, clothing, police uniforms, and surrounding objects.
Lighting should feel uncontrolled and documentary-like rather than studio-lit.
Maintain realistic shadows, highlights, reflections, and exposure variations.
STYLE:
Maximum realism.
Ultra-photorealistic documentary photography.
Authentic nighttime airport atmosphere.
Realistic amateur eyewitness photograph.
Natural skin texture.
Natural low-light digital noise.
Slight handheld imperfections.
Subtle motion blur.
Realistic camera-flash highlights.
No cinematic fantasy aesthetic.
No CGI appearance.
No artificial beauty retouching.
No stylized face.
No excessive color grading.
The final result should look like a genuine spontaneous photograph taken by a journalist or eyewitness at an Iranian airport at night, showing the exact same man from the uploaded reference photo being escorted through a dense crowd of journalists by Iranian tactical police officers.
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